I just walked two miles (slightly uphill! In the humidity!) to get to a café with free wireless so I could post this. Sadly that’s not just an exaggeration and modern twist on the classic grandparents ‘In my day’ story, it’s because I’m too damn thrifty for my own good. I just moved to a new place for the summer (winter to all you not in this strange opposite land) where the cost of Internet use rivals the actual rent, so I guess this is the way it will have to be for a few months. It’s alright though, I get some exercise and then cancel out said exercise with a brownie in the café. Win-win!
The grand total of the five of you who read this will be excited to hear your wait was not in vain. Many interesting things have happened in the course of these two weeks, but I should probably start with the most recent. Yesterday I played the most pointless game of Monopoly of my life. Normally I love it, the thrill of buying up all the utilities and railroads, then laughing evilly when my uncle lands on one of them, maybe pretending to make my dog game piece pee on his race car game piece in a moment of gloating. I may be sarcastic in my writing, but I’m generally very polite in person and board games are the one time I get to be bitchy without feeling bad about it.
In my new flat, I share the upstairs with a Chinese education major that enjoys cleaning, while downstairs is a girl from Spain who is pretty much the sassy older sister from ‘Ugly Betty’ and a British girl I still haven’t seen despite living here for about six days. The two flatmates who actually show their faces were playing cards with an Indian girl when I got in and invited me to join. Let the language barrier fun commence! Fortunately I speak Spanish well and was able to ask mi amiga the rules. Unfortunately, I’m used to Spanish with a central American accent and it took me way too long to realize that in this particular game, threes were higher than aces for some stupid reason. But at least now I know how the Chinese girl felt when she told me my accent is a lot easier to understand than the Australians because I don’t speak as fast and pronounce my words clearer. My flatmates had to leave after a few rounds and I was left with the Indian girl. Whom I had no idea who she was or why she was in our flat. Clearly she wasn’t a guest of the others since they left and she didn’t go with them. I was about to sneak away up to my room and hope she’d leave on her own, but she decided we should play Monopoly.
I’ve never played it with only two people before and now know it’s especially not fun, but at the time I had nothing better to do and agreed. The game went on for three hours even though I had clearly won a little over an hour into it. But she refused to give up even though she had about forty dollars and everything she owned mortgaged. At first it was a bit pathetic and I felt bad so I let her stay at one of my three incredibly nice houses on Trafalgar Square (oddly, this version was all London streets instead of the usual Atlantic City) free of charge. But after a while, I wanted to throw the little wheelbarrow at her head and demand she declare bankruptcy as well as who she was. Right before she admitted defeat at my ‘Donald Trump but with way better hair’ skills, she asked if I enjoyed being in her old room. Her identity revealed at last! Who goes back to their old residence to pay a visit and ends up painfully drawing out a board game with someone they’d never met before?! I may just have to hide Monopoly and put out Uno in its place because if this somehow happens again, at least Uno is quicker and there are no excuses to try staying in the game. Plus, I have a very special X-Men Uno deck that is clearly one of my greatest possessions.
I’m going to keep this entry at that wonderfully Seinfeld-esque tale of nothingness, but will make the voyage again tomorrow to post a concert story. And of course, concert + me = something incredibly stupid bound to happen! Plus, it ties in with the X-Men Uno cards! CONTINUITYZ, I HAS THEM.
Oh, and P.S. My pictures and The Awkward American were totally featured in the Nylon Blog. Take a looksy! (You have to search 'Brisbane')
Wednesday, November 26, 2008
Friday, November 14, 2008
This is the Final Countdooooooooooown!
Sometime earlier this week I was supposed to post about a particularly odd occurrence I had last Saturday, but what I have written up and ready to go makes little sense without the photos we took. Photos that are on my friend’s camera because mine is apparently operable by my hands only. She was supposed to e-mail them to me but keeps forgetting so you might not get to read that story for some time.
But worry not, I just returned from an equally stupid and embarrassing ordeal! My three and a half hour long Japanese Popular culture final. Nobody likes finals other than the fact that they signify the end of that particular course, but I especially can’t stand them because I seem to have things constantly go wrong on finals days. Last year, the train back to school from my internship in the city was stopped because of a stabbing (welcome to life in Philly!) two stations before mine, forcing me to take a bus then walk a few miles with a heavy backpack. I got in ten minutes before it was time for the exam and said final ended up giving me a mild case of carpal tunnel syndrome.
Today wasn’t physically as troublesome, but equally stressful. I got to the testing room twenty minutes early and chatted with two guys from my study group. Before I go on, I should mention that this class is basically Japanese students expecting an easy A, a bunch of cute nerdy guys, a girl with a huge tattoo of the Transformers symbol on her arm, and myself sitting around talking about things like ‘Battle Royale’ and J-punk. So basically one of my favourite University courses ever. I talked with the guys, sad that this is probably the last time I’ll see them again and just as I thought, “Oh duh, ask them for their e-mail!” the test administrator entered the room. Dammit. They allotted ten minutes for looking through the questions and being a quick reader, I spent a good eight minutes of this time ogling my crush’s strangely attractive new Wolverine-esque facial hair. He’s attractive, I swear it! Stop picturing a mutton chopped 18th-century geezer. He first got my attention the day he practically lead the discussion on Miyazaki films AND did so wearing a Horrors shirt. You instantly get points in my book for being a fellow fan of a band I love, especially bands barely anyone else seems to know about. Many a time I’ve terrified people by running across the street towards them yelling, “AHHH! I WAS AT THAT CONCERT TOO!”
Getting back on point, it final-ly (har har) started and I got past the vocabulary section to the essays. But halfway through my second essay, the nib of my mechanical pencil simply broke off. I had not anticipate this, as it’s never happened to me before and I thought it was a fairly solid pencil. I started to panic, shoving it back in with no avail and then opened the little canister of pencil lead to see if it was possible to write with only them. The answer is no, they snap in half, which is why you need the mechanical pencil nib to hold them in place. Arrrgh! I look around nervously and see that some students are using pens in their blue books. Since when were you allowed to use pens? I raised my hand to see if I could ask one of the two test administrators to let me get a pen from my bag. The closest one had seen me freaking out internally at my pencil, but gave me an evil smirk instead of any help. NOOO! “Relax, “I thought, “Ogle the cute guy for a bit, then try again.” That worked and I retrieved my pen, huzzah! I continued working, but after a few sentences, realized the pen was running out of ink. Why was I carrying a pen with barely any ink?! I don’t even recall using this particular one much at all! So an essay and a half of a final worth 40% of my overall grade was written in decreasingly visible ink. Near the end of the essay on the Takarazuka Revue (which I’ve included a link of the wikipedia definition for because it’s hilarious/awesome) the pen died fully and I scratched, “Sorry no conclusion, my pen’s life has ended” into my already suffering paper. Fortunately my professor has a good sense of humour and will hopefully understand, but I still slightly regret doing that now.
I’m actually traveling for once this weekend, over to Byron Bay after spending tonight at the Gold Coast. I look forward to attempting surfing again, but dread the thousand more freckles bound to form as a result. The other day, Elle commented that my arms were starting to look a bit tan, but then as she came closer, she realized that at a distance, my freckles sort of meld together giving the illusion of tan. Curse my Scottish paleness.
But worry not, I just returned from an equally stupid and embarrassing ordeal! My three and a half hour long Japanese Popular culture final. Nobody likes finals other than the fact that they signify the end of that particular course, but I especially can’t stand them because I seem to have things constantly go wrong on finals days. Last year, the train back to school from my internship in the city was stopped because of a stabbing (welcome to life in Philly!) two stations before mine, forcing me to take a bus then walk a few miles with a heavy backpack. I got in ten minutes before it was time for the exam and said final ended up giving me a mild case of carpal tunnel syndrome.
Today wasn’t physically as troublesome, but equally stressful. I got to the testing room twenty minutes early and chatted with two guys from my study group. Before I go on, I should mention that this class is basically Japanese students expecting an easy A, a bunch of cute nerdy guys, a girl with a huge tattoo of the Transformers symbol on her arm, and myself sitting around talking about things like ‘Battle Royale’ and J-punk. So basically one of my favourite University courses ever. I talked with the guys, sad that this is probably the last time I’ll see them again and just as I thought, “Oh duh, ask them for their e-mail!” the test administrator entered the room. Dammit. They allotted ten minutes for looking through the questions and being a quick reader, I spent a good eight minutes of this time ogling my crush’s strangely attractive new Wolverine-esque facial hair. He’s attractive, I swear it! Stop picturing a mutton chopped 18th-century geezer. He first got my attention the day he practically lead the discussion on Miyazaki films AND did so wearing a Horrors shirt. You instantly get points in my book for being a fellow fan of a band I love, especially bands barely anyone else seems to know about. Many a time I’ve terrified people by running across the street towards them yelling, “AHHH! I WAS AT THAT CONCERT TOO!”
Getting back on point, it final-ly (har har) started and I got past the vocabulary section to the essays. But halfway through my second essay, the nib of my mechanical pencil simply broke off. I had not anticipate this, as it’s never happened to me before and I thought it was a fairly solid pencil. I started to panic, shoving it back in with no avail and then opened the little canister of pencil lead to see if it was possible to write with only them. The answer is no, they snap in half, which is why you need the mechanical pencil nib to hold them in place. Arrrgh! I look around nervously and see that some students are using pens in their blue books. Since when were you allowed to use pens? I raised my hand to see if I could ask one of the two test administrators to let me get a pen from my bag. The closest one had seen me freaking out internally at my pencil, but gave me an evil smirk instead of any help. NOOO! “Relax, “I thought, “Ogle the cute guy for a bit, then try again.” That worked and I retrieved my pen, huzzah! I continued working, but after a few sentences, realized the pen was running out of ink. Why was I carrying a pen with barely any ink?! I don’t even recall using this particular one much at all! So an essay and a half of a final worth 40% of my overall grade was written in decreasingly visible ink. Near the end of the essay on the Takarazuka Revue (which I’ve included a link of the wikipedia definition for because it’s hilarious/awesome) the pen died fully and I scratched, “Sorry no conclusion, my pen’s life has ended” into my already suffering paper. Fortunately my professor has a good sense of humour and will hopefully understand, but I still slightly regret doing that now.
I’m actually traveling for once this weekend, over to Byron Bay after spending tonight at the Gold Coast. I look forward to attempting surfing again, but dread the thousand more freckles bound to form as a result. The other day, Elle commented that my arms were starting to look a bit tan, but then as she came closer, she realized that at a distance, my freckles sort of meld together giving the illusion of tan. Curse my Scottish paleness.
Tuesday, November 4, 2008
lהngre borta הn hem
Unable to sleep and wanting to stop myself from further watching the strange Canadian cartoon about a bunch of teens taking orders from a fish with flattop hair to fight an old lady and her evil Chihuahua with a British accent, this morning I reread my last entry and I realized it was a tad snarky. They don’t even know about, yet alone read my blog, (psh, does anyone?) but I publicly apologize to my flatmates (not the one who leaves angry notes though, but he’s another matter) for being e-bitchy towards them. I just dislike how they have their own little ‘She-Ra Boy Haters Club’ and when I walk in the room they get all middle school, pretending to talk about something else like I don’t notice.
Then again, I can understand why they might not always want to spend time with me. See, they watch movies like ‘Sex and the City’ together, a film which I have suffered through seeing once already and considered breaking my own pinky finger as an excuse out of it. It’s the same reason they decline my offer to watch ‘Master and Commander,’ a Napoleonic war naval epic I have probably seen at least a dozen times. I get that I’m not exactly girly, but darn it, just because I prefer Henry Rollins to Hannah Montana doesn’t mean I’m against a good ol’ gossip fest about boys and whatnot. They should know that, considering my one wall: Kings of Leon :: the wall of an ‘80s fangirl: Tiger Beat pictures of Duran Duran. Please note however, Duran Duran < Kings of Leon, though I do enjoy the occasional boogie to “Hungry Like the Wolf.”
Getting back on point, I promised myself I would suck it up and rent a few movies all of us would like. I carefully chose three period piece costume drama type films that tend to have the right levels of romance (enough for them to keep interest but not so much that I want to gag) to battle scene (cool action, but not overly gory or annoyingly inaccurate to history) ratios. I was so proud for finally compromising like a big kid that I didn’t take much notice of the women in the city walking by with huge stupid looking hats perched on their heads. Which means I forgot today was the Melbourne Cup Horse Race, a joyous holiday which includes fighting back crowds of said hats, old men frantically placing bets, and people trying not to drop huge orders of food & booze they thought would be okay to transport back to their party on foot. It also means the TV was on the horses all day and there was to be no movie viewing tolerated. After all that, I grumpily gave up and took my bowl of store-brand Cocoa Pebbles back to my room where I spent the rest of my day reading to a soundtrack of music that's almost entirely in another language (for some reason, it’s been my favourite thing to listen to lately, especially if it’s in French or Swedish). I think this means I’m destined to end up living in a cave outside some strange modern Gaul or Viking community. Eh, it could be worse, at least I’m not one of the six people crushed to death by a vending machine every year (that was my Snapple cap fact the other day).
Then again, I can understand why they might not always want to spend time with me. See, they watch movies like ‘Sex and the City’ together, a film which I have suffered through seeing once already and considered breaking my own pinky finger as an excuse out of it. It’s the same reason they decline my offer to watch ‘Master and Commander,’ a Napoleonic war naval epic I have probably seen at least a dozen times. I get that I’m not exactly girly, but darn it, just because I prefer Henry Rollins to Hannah Montana doesn’t mean I’m against a good ol’ gossip fest about boys and whatnot. They should know that, considering my one wall: Kings of Leon :: the wall of an ‘80s fangirl: Tiger Beat pictures of Duran Duran. Please note however, Duran Duran < Kings of Leon, though I do enjoy the occasional boogie to “Hungry Like the Wolf.”
Getting back on point, I promised myself I would suck it up and rent a few movies all of us would like. I carefully chose three period piece costume drama type films that tend to have the right levels of romance (enough for them to keep interest but not so much that I want to gag) to battle scene (cool action, but not overly gory or annoyingly inaccurate to history) ratios. I was so proud for finally compromising like a big kid that I didn’t take much notice of the women in the city walking by with huge stupid looking hats perched on their heads. Which means I forgot today was the Melbourne Cup Horse Race, a joyous holiday which includes fighting back crowds of said hats, old men frantically placing bets, and people trying not to drop huge orders of food & booze they thought would be okay to transport back to their party on foot. It also means the TV was on the horses all day and there was to be no movie viewing tolerated. After all that, I grumpily gave up and took my bowl of store-brand Cocoa Pebbles back to my room where I spent the rest of my day reading to a soundtrack of music that's almost entirely in another language (for some reason, it’s been my favourite thing to listen to lately, especially if it’s in French or Swedish). I think this means I’m destined to end up living in a cave outside some strange modern Gaul or Viking community. Eh, it could be worse, at least I’m not one of the six people crushed to death by a vending machine every year (that was my Snapple cap fact the other day).
Saturday, November 1, 2008
You're standing on my neck
I was incredibly disappointed by my Halloween, apparently nobody thought to tell me it isn't a big holiday here. Instead everyone in my flat got drunk and went to the big soccer game oh so appropriately called the FARR Cup (say it out loud with an Australian accent... There you go). I also had a disgusting cold which I'm just getting over, but that didn't prevent me from dressing up. I was Daria, for all you that I was going to surprise with a picture of my awesome likeness, but lo and behold I didn't get a photo of my costume. Some other time hopefully.
I sat around as a phlegmy Daria watching Halloween movies from my childhood on Youtube for a few hours and then the flatmates (along with that random irksome guy who always seems to be drunk and watching infomercials on our couch every Tuesday and Friday night) came in yelling louder than televangelists. They had with them yet another stolen parking cone and a bottle of Baileys that "guess what? We found this in a bush! Free alcohol!" I retreated to my room, but quickly went back to the kitchen to grab some toast and a cup of tea so I could properly bunker down. I was too late, the insanity had started and only a minute after happiness all around in Drunkland, I walked into the kitchen to find the girls crying. "What happened?" I accused Irk, who was trying to lie down on our newly stolen coffeetable. "Dunno, they just mumbled a word and that got them both going." Irk then fell asleep and I tried to comfort the girls, politely asking if maybe they could at least tell me part of what was wrong all of a sudden so that I could help them. But it was another one of those, "YOU WOULDN'T UNDERSTAND, DANI!" things because I don't have a boyfriend so that clearly means I know nothing about boys. The fact that I have common sense and lots of male friends who give me more insight to the male mind than I'd like is not good enough. In a very fitting Daria-esque rage, I went back to my room and watched more movies, hearing that ten minutes later everyone was happy and laughing again. Welcome to 170 Mood Swing Lane!
The day after Halloween I was supposed to go to an actual party, but I was even more sick that I had to skip out on it. Extra bummed out about that. But Halloween '06 was crappy and involved lots of drunk-wrangling as well, so at least last year was fun. As for the highlights of today, I got to watch my flatmate from China eat corn on the cob with chopsticks, a feat that takes mighty skill, and last night I had a dream I'm pretty sure was entirely in haiku. Exciting stuff. The end of the semester is approaching, which is insane because I still feel like I just got here sometimes. I only have one more final in two weeks, after that it's summer (weird!) and I recently discovered that means I have to move out. My job hunt in Brisbane isn't going great, so I was considering living in Melbourne for a few months. It would be weird starting over yet again, but I may not have another choice. The Awkward American in Melbourne? Maybe! I heard it's an awesome place with lots of cool independent bookshops, cafes, and boutiques, so my pathetic little resume qualifications might be accepted there. Fingers (and toes, because I'm double jointed, but you probably don't want to know that) crossed!
I sat around as a phlegmy Daria watching Halloween movies from my childhood on Youtube for a few hours and then the flatmates (along with that random irksome guy who always seems to be drunk and watching infomercials on our couch every Tuesday and Friday night) came in yelling louder than televangelists. They had with them yet another stolen parking cone and a bottle of Baileys that "guess what? We found this in a bush! Free alcohol!" I retreated to my room, but quickly went back to the kitchen to grab some toast and a cup of tea so I could properly bunker down. I was too late, the insanity had started and only a minute after happiness all around in Drunkland, I walked into the kitchen to find the girls crying. "What happened?" I accused Irk, who was trying to lie down on our newly stolen coffeetable. "Dunno, they just mumbled a word and that got them both going." Irk then fell asleep and I tried to comfort the girls, politely asking if maybe they could at least tell me part of what was wrong all of a sudden so that I could help them. But it was another one of those, "YOU WOULDN'T UNDERSTAND, DANI!" things because I don't have a boyfriend so that clearly means I know nothing about boys. The fact that I have common sense and lots of male friends who give me more insight to the male mind than I'd like is not good enough. In a very fitting Daria-esque rage, I went back to my room and watched more movies, hearing that ten minutes later everyone was happy and laughing again. Welcome to 170 Mood Swing Lane!
The day after Halloween I was supposed to go to an actual party, but I was even more sick that I had to skip out on it. Extra bummed out about that. But Halloween '06 was crappy and involved lots of drunk-wrangling as well, so at least last year was fun. As for the highlights of today, I got to watch my flatmate from China eat corn on the cob with chopsticks, a feat that takes mighty skill, and last night I had a dream I'm pretty sure was entirely in haiku. Exciting stuff. The end of the semester is approaching, which is insane because I still feel like I just got here sometimes. I only have one more final in two weeks, after that it's summer (weird!) and I recently discovered that means I have to move out. My job hunt in Brisbane isn't going great, so I was considering living in Melbourne for a few months. It would be weird starting over yet again, but I may not have another choice. The Awkward American in Melbourne? Maybe! I heard it's an awesome place with lots of cool independent bookshops, cafes, and boutiques, so my pathetic little resume qualifications might be accepted there. Fingers (and toes, because I'm double jointed, but you probably don't want to know that) crossed!
Thursday, October 30, 2008
All You (Astro) Zombies
While Philly is having a grand old time rioting and I'm being sent photos of the carnage (from friends I'm sure helped destroy a few of those trashcans themselves... I know you guys, don't deny it), I am across the world giddy about the approach of Halloween. Once again I have crafted a perfect yet genius costume out of things I mostly already own, as I have done the past five years. But I won't spoil the surprise yet.
Last year I was a hipster zombie, both a slight social commentary and an observation that a lot of indie bands have used zombies in their music videos recently. A grand total of two people got it. Here's a photo taken in the incredibly creepy stairwell that looks like it leads to Freddy Kreuger's boiler room:
That was a fun night because people actually thought we were still acceptable trick or treating age and not weird college students out to get free candy. Plus I got to attack my friends at certain points throughout the night, screaming things like, "Euuuurgh, grande soy mocha latte brainssssss!" or "Zombies no daaaaance, we shuffle and bob heads."
Speaking of zombies, I insisted Ellie and Alexa watch the original 'Dawn of the Dead' movie with me today because it's the greatest and most hilarious horror film ever made. Okay, I can't say that because I generally don't like horror movies and therefore haven't seen all of them, but you can't deny George Romero's genius. First of all, I love how all his movies are set in Pennsylvania. With those, the M. Night Shyamalan films, the Blob (and its sequel), and a few others I'm sure I'm forgetting, Pennsylvania must be the state where the most horror movies take place. So we got that going for us, plus as horror movie law dictates, the characters are incredibly stupid. Those elements alone make 'Dawn of the Dead' highly amusing to me, but I'm sold when you throw in zombies wandering the Monroeville mall to a polka song (which was later made into the 'Robot Chicken' theme), a motorcycle gang smooshing pies in zombies faces, and a man in a sombrero getting ripped apart because he chose the worst time ever to check his blood pressure. Don't be put off if you hate scary movies, it's not the least bit terrifying. I've watched it many times and I once had a mini panic attack just from the trailer for 'Cloverfield.'
And now because I can't find good quality videos for any of the Misfits songs I wanted to post, I'll settle for the creepiest music video I could think of off the top of my head (it isn't about Halloween, but oh well). They're awesome all year 'round, but especially appropriate now, one of my favourite bands of the past five years, heeeeeeeeeere's The Horrors!
Last year I was a hipster zombie, both a slight social commentary and an observation that a lot of indie bands have used zombies in their music videos recently. A grand total of two people got it. Here's a photo taken in the incredibly creepy stairwell that looks like it leads to Freddy Kreuger's boiler room:

Speaking of zombies, I insisted Ellie and Alexa watch the original 'Dawn of the Dead' movie with me today because it's the greatest and most hilarious horror film ever made. Okay, I can't say that because I generally don't like horror movies and therefore haven't seen all of them, but you can't deny George Romero's genius. First of all, I love how all his movies are set in Pennsylvania. With those, the M. Night Shyamalan films, the Blob (and its sequel), and a few others I'm sure I'm forgetting, Pennsylvania must be the state where the most horror movies take place. So we got that going for us, plus as horror movie law dictates, the characters are incredibly stupid. Those elements alone make 'Dawn of the Dead' highly amusing to me, but I'm sold when you throw in zombies wandering the Monroeville mall to a polka song (which was later made into the 'Robot Chicken' theme), a motorcycle gang smooshing pies in zombies faces, and a man in a sombrero getting ripped apart because he chose the worst time ever to check his blood pressure. Don't be put off if you hate scary movies, it's not the least bit terrifying. I've watched it many times and I once had a mini panic attack just from the trailer for 'Cloverfield.'
And now because I can't find good quality videos for any of the Misfits songs I wanted to post, I'll settle for the creepiest music video I could think of off the top of my head (it isn't about Halloween, but oh well). They're awesome all year 'round, but especially appropriate now, one of my favourite bands of the past five years, heeeeeeeeeere's The Horrors!
Sunday, October 26, 2008
You cant go wrong, come on skank along!
It's official, nobody in my flat physically talks to one another anymore except for Ellie and I. Nick will instant message me from five feet down the hall just to say 'hello,' or as he says, "Morning!" (no matter what time of day it is). And even worse than that is the dreaded note on the fridge. Instead of knocking on everyone's door around 7 pm when all are guaranteed to be present and awake to call a flat meeting, they write an incredibly rude open notice. Now, I don't mind if it's just something along the lines of, "Could whoever's turn it is to take out the trash this week please do so? Thanks!" Those are friendly reminders and make perfect sense. But last night someone put up a wonderful jem the censored version of which basically states that if the note writer ever finds out who keeps using up the ice and not refilling the tray, they will make icecubes from their blood. I haven't used a single ice cube my entire time here, but the anger of that note made me dump all the ice cubes down the sink and leave the trays empty in the freezer. Just because they went about trying to solve a stupidly easy problem that doesn't matter much anyway with violent fingerpointing. No need to call in Miss Marple or a hitman. It's like Dylan Moran said in his stand-up act, "You want to write a note back to those types of flatmates and say, 'Dear Complaining One, NOBODY LIKES YOU.'"
On a lighter subject where I'm not being a hypocrite by whining about how annoying passive-aggressive proclamations from my flatmates are, I managed to get out for once this weekend. I went with a friend to a place we'd gone to once before, but only for an hour. This time we got there at 9:30ish, stayed quite late and thus were able to see two bands play before the DJ set. To give an idea how this place is set up, they play indie and alternative rock upstairs, then downstairs is split between the main room (which has the live bands and then usually plays ska, punk, and some hardcore afterwards) and the incredibly fascinating pop/hip-hop room. I literally stood by the pool tables for half an hour with my one friend (who is also from a large American city) cracking up watching all these drunk Australian hipsters/punks/emos/whatevers trying to dance to things like 50 Cent and Lil Mama. He turned to me and said, "Wow, I feel like Ving Rhames compared to these kids!" Which is saying quite a lot considering the two of us are pretty darn white. I wish I had video of it, words can't describe the hilarity factor... Then we went and skanked in the other room (for those of you not aware, skanking isn't what it sounds like, it's the type of weird dancing you do when a ska song is playing), where at least we knew we looked silly when we danced.
These obviously aren't any of the people that I'm talking about, but it's the closest I could find, so I'll leave it up to you to decide who looked stupider:
Hipsters who think they're gangstas (just imagine whats going on in the video but on a greater scale and throw in some punk/emo kids to boot)
Vs. My friends and I skanking way too enthusiastically (exactly like these guys are, but not out in random public places)
On a lighter subject where I'm not being a hypocrite by whining about how annoying passive-aggressive proclamations from my flatmates are, I managed to get out for once this weekend. I went with a friend to a place we'd gone to once before, but only for an hour. This time we got there at 9:30ish, stayed quite late and thus were able to see two bands play before the DJ set. To give an idea how this place is set up, they play indie and alternative rock upstairs, then downstairs is split between the main room (which has the live bands and then usually plays ska, punk, and some hardcore afterwards) and the incredibly fascinating pop/hip-hop room. I literally stood by the pool tables for half an hour with my one friend (who is also from a large American city) cracking up watching all these drunk Australian hipsters/punks/emos/whatevers trying to dance to things like 50 Cent and Lil Mama. He turned to me and said, "Wow, I feel like Ving Rhames compared to these kids!" Which is saying quite a lot considering the two of us are pretty darn white. I wish I had video of it, words can't describe the hilarity factor... Then we went and skanked in the other room (for those of you not aware, skanking isn't what it sounds like, it's the type of weird dancing you do when a ska song is playing), where at least we knew we looked silly when we danced.
These obviously aren't any of the people that I'm talking about, but it's the closest I could find, so I'll leave it up to you to decide who looked stupider:
Hipsters who think they're gangstas (just imagine whats going on in the video but on a greater scale and throw in some punk/emo kids to boot)
Vs. My friends and I skanking way too enthusiastically (exactly like these guys are, but not out in random public places)
Monday, October 20, 2008
Yeasayer interview
This is waaay overdue, but here's my whole interview with the awesome and oh so nice lead singer of Yeasayer, Chris Keating. Please send this to any friends interested in music because it's my first real interview and I unfortunately am not getting it published anywhere but here. For those of you here just to check up on what I've been doing, read the post below this one (though I hope you check this post out too!). Thanks, and enjoy! It's long, but well worth the read, as I got some particularly interesting unannounced (to my knowledge) music news out of him.
Danielle: “You must be tired, it’s a ridiculous flight from LA to here.”
Chris: “Well, we got in yesterday. Where you from?”
Danielle: “Philadelphia!”
Chris: “That’s where he’s from! *points at Ira* I’m from Baltimore. What’re you doing down here?”
Danielle: “I’m going to school here.”
Chris: “That must be awesome.”
Danielle: “Yeah. So, is this your first time in Australia?”
Chris: “Yup, second day.”
Danielle: “And your first gig?”
Chris: “Yeah, first gig tonight! And we already got to pet a koala bear! We got photos with them, it was so exciting. *pulls out photo to show me* They’re so cute.”
Danielle: “Awww, yeah, I love them. They look like little old men.”
Chris: “*laughs* They really do!”
Danielle: “So, from hearing your live performances, especially the Take Away video you guys did, your vocal harmonies seem to come quite naturally. Was recording easy because of that?”
Chris: “They actually don’t come naturally, we work pretty hard at it. I don’t think our voices really work that well together.”
Danielle: “Really?”
Chris: “Well, I mean, I don’t know. I never thought so. We just worked really hard to get them right. So recording, we spent a lot of time doing vocals. Like, months and months.”
Danielle: “Which song on All Hour Cymbals took the longest? Like from starting the idea to actual recording?”
Chris: “Hmmm, we did some demos for ‘2080' and ‘Sunrise’ probably more than a year and a half before the record came out. And so that was the longest, because we recorded them ourselves and then we found a record label and went into the studio for a few days and we went back and recorded ourselves again for about six more months. So those songs have been kickin’ around for a while.”
Danielle: “How do you guys pass time on the road?”
Chris: “With koala bears. *laughs* We usually don’t have any time off. Oh, reading books.”
Danielle: “Any good ones you’ve read recently?”
Chris: “I just finished ‘The Autobiography of Malcolm X.’
Danielle: “Isn’t it amazing?”
Chris: “Completely! And now I’m reading a book about oysters.”
Danielle: “Seriously?”
Chris: “It’s interesting! It’s about the oyster trade in Colonial New York City.”
Danielle: “Oh, I guess that could be cool.”
Chris: “We usually try to go places like the zoo and stuff, if someone’s nice enough to take us.”
Danielle: “Okay, not to say that it’s ‘world music,’ because I know that you guys get that description all the time when you don’t classify yourselves as that, but your music does have a very worldly quality to it. Have you ever thought about doing a song in another language?”
Chris: “No, I haven’t. I think it’s kind of gimmicky to do that. None of us are really proficient in any other languages. I like the idea of that kind of Mick Jagger type of singing words you can’t really hear. Like Michael Jackson does. You know, they’re singing in English, but they’ll mash words together so it’s hard to tell what the hell they’re saying. Even in his big hits, in the chorus. I like that better. And that’s how I got into a lot of music from other cultures, because I didn’t understand the lyrics. So I had to listen to the melodies instead, without focusing on any of the lyrical content. When we’re writing melodies, we think about it like that and then we fit in words that make sense. But yeah, I think it would be strange for us to sing in another language. It would just be a bit pretentious or fake.”
Danielle: “You guys use lots of unusual instruments in your songs like sitars or the accordion in ‘Germs,’ do you play them yourselves, or do you get session musicians?”
Chris: “Everyone thinks we use sitars, but we don’t have any. There are some sounds that sound like it... We play everything ourselves. Anand did a lot of cello and string stuff and we’d pitch it down and arrange it with a sampler in a really weird way. We’d try to combine instruments to make a new sound, like a new instrument.”
Danielle: “That’s probably what the sitar sound was.”
Chris: “Yeah, a lot of synthesized layers of strings. I like trying to do that. To create a new sound where the listener is unclear what it really is.”
Danielle: “Is that hard to do live then?”
Chris: “Yeah. We use samplers and stuff, it changes a little live. But I think it’s good that it does. It becomes a challenge to try to recreate some of those sounds. Because I don’t want it to be just a guitar.”
Danielle: “I read somewhere that Anand wrote a musical about Pennsylvania coal miners. Can you tell me anything more about that? Are you guys big into musicals?”
Chris: “I like musicals when they’re good, a lot of ones from the sixties. Some can be unbearable, but I do like that thematic song writing and over the top, grandiose stuff. He’s working on it right now, they’ll be recording it in the winter. It’s his thing, almost a solo project. Though he’s collaborating with some other people, and yeah, it’s about a coal mining town in PA.”
Danielle: “Well, it’s not very often that you hear someone from an indie band is breaking into the musical world!”
Chris: “I don’t know how much I can say about it, since it’s not my project, but it’s really cool. Going to be an awesome record, people will be excited about it once they hear the whole thing. There’s a lot of other musicians doing guest vocals.”
*At this point, the rest of the band comes over and says hello, then tells Chris they’re going out for lunch. He asks Anand to get him a vegetable sandwich, then changes it to a steak sandwich. This makes me laugh for some reason and then I feel really stupid.*
Danielle: “I first heard you guys broadcast on the radio from South by Southwest on XPN, are you thinking of doing SXSW again this year?”
Chris: “Noooo. Too crazy! It’s cool, but a little stressful. Not all that fun to play at, just more fun to hang out. We didn’t even want to do it last year that much.”
Danielle: “I heard it’s one of those things you either love or hate...”
Chris: “I haven’t met any musicians who love it. It’s kind of a mess, the sound systems aren’t very good, stressful time scheduling, and you only play for fifteen or twenty minutes. There’s no set up time. It’s not exactly ideal. It can be fun, but only as a spectator.”
Danielle: “Speaking of music festivals, you’ve been in quite a few famous ones like Reading and Lollapalooza. Do you like those or would you rather play at a smaller, more intimate venue?”
Chris: “The smaller show. Festivals are fun, it just depends on which one and they’re just weird because it’s 5,000 people and the crowd is really far away. There’s a lot of security and the stage is up way high and it’s in the middle of the day. It’s kinda strange. I prefer a smaller club. We were doing a lot of festivals and then we ended up booking a show on our way through Germany we went to Switzerland and we played in Zurich and it was amazing. There was about 150 people at this club, this tiny club at full capacity, and it was so much better than playing to 10,000 at a festival. That show gave us more energy, a little bit of renewed life.”
Danielle: “There’s big music scenes where all of you grew up. Where you in a band previously or go to lots of concerts as a teenager?”
Chris: “Me and Anand grew up together in Baltimore, we were in a high school band, but nothing too serious. We all went to lots of shows. I think Luke used to play in a lot of punk bands as a kid. There’s different things we did, but nothing serious until Yeasayer came together. But I went to a lot of shows after I learned to drive.”
Danielle: “Yeah, because the areas are all so close! That’s why it’s great.”
Chris: “Mmhmm, I drove to Philly, or D.C. or up to New York. In the last six years, there’s been a good scene in Baltimore, not so sure what it’s like right now.”
Danielle: “It has some big names.”
Chris: “Yeah, it just seems a lot of those bands are moving away or touring so they aren’t always in Baltimore. When I was in high school, it wasn’t so much the case.”
Danielle: “Now there’s the Virgin Fest.”
Chris: “They didn’t have that, I think it’s new.”
Danielle: “Pretty recently, only a few years.”
Chris: “Have you been to it? It seems like a monstrosity.”
Danielle: “ I was tempted, because it’s had some great lineups, but it’s a bit too big and expensive for me.”
Chris: “I don’t like going to things like that at all. But I can see why some people do.”
Danielle: “What’s your song writing process like? Do you guys jam and come up with your own part, or do you individually write lyrics?”
Chris: “We jam a lot, but it’s mostly based on recording. Individual people or teams of two will record ideas we have and then trade tapes for the next person to work on it and slowly build up a layering that isn’t expected. Just keeping tons and tons of tracks on a computer and revisiting old jams, like bringing them back. That’s how the record got the eclectic sound we were going for. That’s how we like to work, we’ll see what happens in the future. It’s pretty rare that one person writes a song all by themselves.”
Danielle: “A lot of your lyrics have a mythological influence, have you always been inspired by mythology?”
Chris: “Yeah, there are some archetypal elements, one of the songs mentions Icharus. We mash up mythological figures with contemporary stuff and yeah, I think that was in the writing process. Those songs can be kinda hard to write, the mythological theme is heavy handed.”
Danielle: “Especially ‘2080' mentioning the future and possible apocalypse.”
Chris: “People seem to pick up on that stuff a lot, the apocalyptic themes. I’m not sure how much there really is.”
Danielle: “When I first heard ‘2080,’ I was just listening to the music because it was on the radio and didn’t pay attention to the lyrics and I thought, ‘Oh, this is a pretty song.’ Then I went and listened to it again later and I realized it was a bit dark.”
Chris: “I like contrasting the mood of the music with the theme of the lyrics. Darker lyrics with positive sounding music.”
Danielle: “Yeah, it doesn’t have to be death metal.”
Chris: “Or the opposite. Death metal with lyrics about butterflies or something.”
Danielle: “Do you have any new songs you’re going to play tonight or that you’ve been working on?”
Chris: “We’ve been working on some stuff, but we’ve mostly been touring for the past year. So not a lot of time to work together, but some individual parts. I’ve heard some of the stuff they’ve been doing, but it’s hard right now to try to get those songs together. We’ve got a couple new things we’re going to play, some things that aren’t exactly new, but aren’t on the record. I’m pretty sure we’ll throw some of those in tonight. We never decide what to play until sound check. We have some things in the works. We’re going to be recording all winter, when we’re done touring in December. Going to take four months off and work on the new record. Then we’ll have real new material.”
Danielle: “Are you going to release the song you did for Daytrotter on the new record?”
Chris: “The Daytrotter thing was a looong time ago. Like, more than a year ago. That was just live stuff I think.”
Danielle: “Yeah, but there was one you did about the end of the world. Well, one that wasn't '2080' and wasn’t on All Hour Cymbals.”
Chris: “Hmmm, I don’t think we had a song about that... Oh, wait, we had a song that came out only on a 7 inch in the UK called ‘Final Path.’ That’s it. We have a song that’s coming out on a compilation for Red Hot, it’s an AIDS benefit with Blonde Redhead, Arcade Fire, and some other bands like that. They’re all this compilation and we did a new song for that. That’s the newest thing we’ve recorded, that was sometime this summer. Oh, no it was in May. We went to Seattle to meet with Scott Colburn, who actually recorded the last Arcade Fire record, and did that song. So that should be out... whenever that’s out. *laughs* Probably this month or next month.
Danielle: “I absolutely hate using this word, but Yeasayer was one of the “buzz bands” of last year, who do you think are going to be the next big thing?”
Chris: “Chairlift, you ever heard of them? They are going to be BIG. They’re friends of ours from Brooklyn and we’re going to tour with them on the east coast of the States for ten days. They’re going to open for us, but they’ve been on an I-pod commercial, so...”
Danielle: “That tends to launch bands, yeah. The Steve Jobs bump.”
Chris: “They’re a really good band, really cool. Uh, who else? I have friends in a band called Dragons of Zinth, their last record was awesome and they’re working on a new one. Dave Sitek from TV on the Radio produced their last record and is probably working with them on this one. So, expect them to come down to Australia and do a world tour. We toured with them in Europe. Other than that, I don’t know. There’s bands I like a lot like Dirty Projectors, but they’re already out there and people already know about them. It’s hard to say, I usually don’t like stuff that ends up being really big or popular.”
Danielle: “I’m the same way.”
Chris: “MGMT are my only exception. We were friends with those guys before they made their record.”
Danielle: “They’re doing an Australia tour soon.”
Chris: “Yeah, they’re pretty huge here, aren’t they? I mean, they’re doing well everywhere, but it seems disproportionately popular here.”
Danielle: “They put up posters for their tour at my University and within two hours, they were all stolen by people to put up on their dorm walls.”
Chris: “That’s crazy! Yeah, normally the kind of stuff I like doesn’t get commercially successful, but just from hearing their first demos, we knew it would be. They’re one of the few bands I like and respect while they’re still hugely popular. Which is awesome. And rare. But Chairlift will be the next MGMT, I’m sure of it. Get an interview with them early.”
Danielle: “*laughs* Well, I’m all out of questions. It was so great to talk with you, thanks!”
Chris: “Thank you! I’ll see you tonight!”
Edit- Unfortunately, Blogger is being annoying and not letting me upload my pictures from the show. Blast, foiled again.
Danielle: “You must be tired, it’s a ridiculous flight from LA to here.”
Chris: “Well, we got in yesterday. Where you from?”
Danielle: “Philadelphia!”
Chris: “That’s where he’s from! *points at Ira* I’m from Baltimore. What’re you doing down here?”
Danielle: “I’m going to school here.”
Chris: “That must be awesome.”
Danielle: “Yeah. So, is this your first time in Australia?”
Chris: “Yup, second day.”
Danielle: “And your first gig?”
Chris: “Yeah, first gig tonight! And we already got to pet a koala bear! We got photos with them, it was so exciting. *pulls out photo to show me* They’re so cute.”
Danielle: “Awww, yeah, I love them. They look like little old men.”
Chris: “*laughs* They really do!”
Danielle: “So, from hearing your live performances, especially the Take Away video you guys did, your vocal harmonies seem to come quite naturally. Was recording easy because of that?”
Chris: “They actually don’t come naturally, we work pretty hard at it. I don’t think our voices really work that well together.”
Danielle: “Really?”
Chris: “Well, I mean, I don’t know. I never thought so. We just worked really hard to get them right. So recording, we spent a lot of time doing vocals. Like, months and months.”
Danielle: “Which song on All Hour Cymbals took the longest? Like from starting the idea to actual recording?”
Chris: “Hmmm, we did some demos for ‘2080' and ‘Sunrise’ probably more than a year and a half before the record came out. And so that was the longest, because we recorded them ourselves and then we found a record label and went into the studio for a few days and we went back and recorded ourselves again for about six more months. So those songs have been kickin’ around for a while.”
Danielle: “How do you guys pass time on the road?”
Chris: “With koala bears. *laughs* We usually don’t have any time off. Oh, reading books.”
Danielle: “Any good ones you’ve read recently?”
Chris: “I just finished ‘The Autobiography of Malcolm X.’
Danielle: “Isn’t it amazing?”
Chris: “Completely! And now I’m reading a book about oysters.”
Danielle: “Seriously?”
Chris: “It’s interesting! It’s about the oyster trade in Colonial New York City.”
Danielle: “Oh, I guess that could be cool.”
Chris: “We usually try to go places like the zoo and stuff, if someone’s nice enough to take us.”
Danielle: “Okay, not to say that it’s ‘world music,’ because I know that you guys get that description all the time when you don’t classify yourselves as that, but your music does have a very worldly quality to it. Have you ever thought about doing a song in another language?”
Chris: “No, I haven’t. I think it’s kind of gimmicky to do that. None of us are really proficient in any other languages. I like the idea of that kind of Mick Jagger type of singing words you can’t really hear. Like Michael Jackson does. You know, they’re singing in English, but they’ll mash words together so it’s hard to tell what the hell they’re saying. Even in his big hits, in the chorus. I like that better. And that’s how I got into a lot of music from other cultures, because I didn’t understand the lyrics. So I had to listen to the melodies instead, without focusing on any of the lyrical content. When we’re writing melodies, we think about it like that and then we fit in words that make sense. But yeah, I think it would be strange for us to sing in another language. It would just be a bit pretentious or fake.”
Danielle: “You guys use lots of unusual instruments in your songs like sitars or the accordion in ‘Germs,’ do you play them yourselves, or do you get session musicians?”
Chris: “Everyone thinks we use sitars, but we don’t have any. There are some sounds that sound like it... We play everything ourselves. Anand did a lot of cello and string stuff and we’d pitch it down and arrange it with a sampler in a really weird way. We’d try to combine instruments to make a new sound, like a new instrument.”
Danielle: “That’s probably what the sitar sound was.”
Chris: “Yeah, a lot of synthesized layers of strings. I like trying to do that. To create a new sound where the listener is unclear what it really is.”
Danielle: “Is that hard to do live then?”
Chris: “Yeah. We use samplers and stuff, it changes a little live. But I think it’s good that it does. It becomes a challenge to try to recreate some of those sounds. Because I don’t want it to be just a guitar.”
Danielle: “I read somewhere that Anand wrote a musical about Pennsylvania coal miners. Can you tell me anything more about that? Are you guys big into musicals?”
Chris: “I like musicals when they’re good, a lot of ones from the sixties. Some can be unbearable, but I do like that thematic song writing and over the top, grandiose stuff. He’s working on it right now, they’ll be recording it in the winter. It’s his thing, almost a solo project. Though he’s collaborating with some other people, and yeah, it’s about a coal mining town in PA.”
Danielle: “Well, it’s not very often that you hear someone from an indie band is breaking into the musical world!”
Chris: “I don’t know how much I can say about it, since it’s not my project, but it’s really cool. Going to be an awesome record, people will be excited about it once they hear the whole thing. There’s a lot of other musicians doing guest vocals.”
*At this point, the rest of the band comes over and says hello, then tells Chris they’re going out for lunch. He asks Anand to get him a vegetable sandwich, then changes it to a steak sandwich. This makes me laugh for some reason and then I feel really stupid.*
Danielle: “I first heard you guys broadcast on the radio from South by Southwest on XPN, are you thinking of doing SXSW again this year?”
Chris: “Noooo. Too crazy! It’s cool, but a little stressful. Not all that fun to play at, just more fun to hang out. We didn’t even want to do it last year that much.”
Danielle: “I heard it’s one of those things you either love or hate...”
Chris: “I haven’t met any musicians who love it. It’s kind of a mess, the sound systems aren’t very good, stressful time scheduling, and you only play for fifteen or twenty minutes. There’s no set up time. It’s not exactly ideal. It can be fun, but only as a spectator.”
Danielle: “Speaking of music festivals, you’ve been in quite a few famous ones like Reading and Lollapalooza. Do you like those or would you rather play at a smaller, more intimate venue?”
Chris: “The smaller show. Festivals are fun, it just depends on which one and they’re just weird because it’s 5,000 people and the crowd is really far away. There’s a lot of security and the stage is up way high and it’s in the middle of the day. It’s kinda strange. I prefer a smaller club. We were doing a lot of festivals and then we ended up booking a show on our way through Germany we went to Switzerland and we played in Zurich and it was amazing. There was about 150 people at this club, this tiny club at full capacity, and it was so much better than playing to 10,000 at a festival. That show gave us more energy, a little bit of renewed life.”
Danielle: “There’s big music scenes where all of you grew up. Where you in a band previously or go to lots of concerts as a teenager?”
Chris: “Me and Anand grew up together in Baltimore, we were in a high school band, but nothing too serious. We all went to lots of shows. I think Luke used to play in a lot of punk bands as a kid. There’s different things we did, but nothing serious until Yeasayer came together. But I went to a lot of shows after I learned to drive.”
Danielle: “Yeah, because the areas are all so close! That’s why it’s great.”
Chris: “Mmhmm, I drove to Philly, or D.C. or up to New York. In the last six years, there’s been a good scene in Baltimore, not so sure what it’s like right now.”
Danielle: “It has some big names.”
Chris: “Yeah, it just seems a lot of those bands are moving away or touring so they aren’t always in Baltimore. When I was in high school, it wasn’t so much the case.”
Danielle: “Now there’s the Virgin Fest.”
Chris: “They didn’t have that, I think it’s new.”
Danielle: “Pretty recently, only a few years.”
Chris: “Have you been to it? It seems like a monstrosity.”
Danielle: “ I was tempted, because it’s had some great lineups, but it’s a bit too big and expensive for me.”
Chris: “I don’t like going to things like that at all. But I can see why some people do.”
Danielle: “What’s your song writing process like? Do you guys jam and come up with your own part, or do you individually write lyrics?”
Chris: “We jam a lot, but it’s mostly based on recording. Individual people or teams of two will record ideas we have and then trade tapes for the next person to work on it and slowly build up a layering that isn’t expected. Just keeping tons and tons of tracks on a computer and revisiting old jams, like bringing them back. That’s how the record got the eclectic sound we were going for. That’s how we like to work, we’ll see what happens in the future. It’s pretty rare that one person writes a song all by themselves.”
Danielle: “A lot of your lyrics have a mythological influence, have you always been inspired by mythology?”
Chris: “Yeah, there are some archetypal elements, one of the songs mentions Icharus. We mash up mythological figures with contemporary stuff and yeah, I think that was in the writing process. Those songs can be kinda hard to write, the mythological theme is heavy handed.”
Danielle: “Especially ‘2080' mentioning the future and possible apocalypse.”
Chris: “People seem to pick up on that stuff a lot, the apocalyptic themes. I’m not sure how much there really is.”
Danielle: “When I first heard ‘2080,’ I was just listening to the music because it was on the radio and didn’t pay attention to the lyrics and I thought, ‘Oh, this is a pretty song.’ Then I went and listened to it again later and I realized it was a bit dark.”
Chris: “I like contrasting the mood of the music with the theme of the lyrics. Darker lyrics with positive sounding music.”
Danielle: “Yeah, it doesn’t have to be death metal.”
Chris: “Or the opposite. Death metal with lyrics about butterflies or something.”
Danielle: “Do you have any new songs you’re going to play tonight or that you’ve been working on?”
Chris: “We’ve been working on some stuff, but we’ve mostly been touring for the past year. So not a lot of time to work together, but some individual parts. I’ve heard some of the stuff they’ve been doing, but it’s hard right now to try to get those songs together. We’ve got a couple new things we’re going to play, some things that aren’t exactly new, but aren’t on the record. I’m pretty sure we’ll throw some of those in tonight. We never decide what to play until sound check. We have some things in the works. We’re going to be recording all winter, when we’re done touring in December. Going to take four months off and work on the new record. Then we’ll have real new material.”
Danielle: “Are you going to release the song you did for Daytrotter on the new record?”
Chris: “The Daytrotter thing was a looong time ago. Like, more than a year ago. That was just live stuff I think.”
Danielle: “Yeah, but there was one you did about the end of the world. Well, one that wasn't '2080' and wasn’t on All Hour Cymbals.”
Chris: “Hmmm, I don’t think we had a song about that... Oh, wait, we had a song that came out only on a 7 inch in the UK called ‘Final Path.’ That’s it. We have a song that’s coming out on a compilation for Red Hot, it’s an AIDS benefit with Blonde Redhead, Arcade Fire, and some other bands like that. They’re all this compilation and we did a new song for that. That’s the newest thing we’ve recorded, that was sometime this summer. Oh, no it was in May. We went to Seattle to meet with Scott Colburn, who actually recorded the last Arcade Fire record, and did that song. So that should be out... whenever that’s out. *laughs* Probably this month or next month.
Danielle: “I absolutely hate using this word, but Yeasayer was one of the “buzz bands” of last year, who do you think are going to be the next big thing?”
Chris: “Chairlift, you ever heard of them? They are going to be BIG. They’re friends of ours from Brooklyn and we’re going to tour with them on the east coast of the States for ten days. They’re going to open for us, but they’ve been on an I-pod commercial, so...”
Danielle: “That tends to launch bands, yeah. The Steve Jobs bump.”
Chris: “They’re a really good band, really cool. Uh, who else? I have friends in a band called Dragons of Zinth, their last record was awesome and they’re working on a new one. Dave Sitek from TV on the Radio produced their last record and is probably working with them on this one. So, expect them to come down to Australia and do a world tour. We toured with them in Europe. Other than that, I don’t know. There’s bands I like a lot like Dirty Projectors, but they’re already out there and people already know about them. It’s hard to say, I usually don’t like stuff that ends up being really big or popular.”
Danielle: “I’m the same way.”
Chris: “MGMT are my only exception. We were friends with those guys before they made their record.”
Danielle: “They’re doing an Australia tour soon.”
Chris: “Yeah, they’re pretty huge here, aren’t they? I mean, they’re doing well everywhere, but it seems disproportionately popular here.”
Danielle: “They put up posters for their tour at my University and within two hours, they were all stolen by people to put up on their dorm walls.”
Chris: “That’s crazy! Yeah, normally the kind of stuff I like doesn’t get commercially successful, but just from hearing their first demos, we knew it would be. They’re one of the few bands I like and respect while they’re still hugely popular. Which is awesome. And rare. But Chairlift will be the next MGMT, I’m sure of it. Get an interview with them early.”
Danielle: “*laughs* Well, I’m all out of questions. It was so great to talk with you, thanks!”
Chris: “Thank you! I’ll see you tonight!”
Edit- Unfortunately, Blogger is being annoying and not letting me upload my pictures from the show. Blast, foiled again.
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